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<article article-type="research-article" dtd-version="1.3" xmlns:mml="http://www.w3.org/1998/Math/MathML" xmlns:xlink="http://www.w3.org/1999/xlink" xmlns:xsi="http://www.w3.org/2001/XMLSchema-instance" xml:lang="ru"><front><journal-meta><journal-id journal-id-type="publisher-id">riash</journal-id><journal-title-group><journal-title xml:lang="ru">Русский язык в школе</journal-title><trans-title-group xml:lang="en"><trans-title>Russian language at school</trans-title></trans-title-group></journal-title-group><issn pub-type="ppub">0131-6141</issn><issn pub-type="epub">2619-0966</issn><publisher><publisher-name>Company "Our Language"</publisher-name></publisher></journal-meta><article-meta><article-id pub-id-type="doi">10.30515/0131-6141-2018-79-4-48-52</article-id><article-id custom-type="elpub" pub-id-type="custom">riash-789</article-id><article-categories><subj-group subj-group-type="heading"><subject>Research Article</subject></subj-group><subj-group subj-group-type="section-heading" xml:lang="ru"><subject>АНАЛИЗ ХУДОЖЕСТВЕННОГО ТЕКСТА</subject></subj-group><subj-group subj-group-type="section-heading" xml:lang="en"><subject>LITERARY TEXT ANALYSIS</subject></subj-group></article-categories><title-group><article-title>СРЕДСТВА ТЕАТРАЛЬНОГО КОДА И ИХ ФУНКЦИИ  В ПЬЕСАХ А.Н. ОСТРОВСКОГО</article-title><trans-title-group xml:lang="en"><trans-title>MEANS OF THE THEATRE CODE AND THEIR FUNCTIONS IN PLAYS BY A.N. OSTROVSKII</trans-title></trans-title-group></title-group><contrib-group><contrib contrib-type="author" corresp="yes"><name-alternatives><name name-style="eastern" xml:lang="ru"><surname>Николина</surname><given-names>Н. А.</given-names></name><name name-style="western" xml:lang="en"><surname>Nikolina</surname><given-names>N. A.</given-names></name></name-alternatives><bio xml:lang="ru"><p>Наталия  Анатольевна  Николина - кандидат филологических наук, профессор, заведующий кафедрой русского языка, Институт филологии.</p><p>Ул. М. Пироговская, д. 1/1, Москва, 119991</p></bio><bio xml:lang="en"><p>1/1 M. Pirogovskaya Str., Moscow, 119991</p></bio><email xlink:type="simple">admin@riash.ru</email><xref ref-type="aff" rid="aff-1"/></contrib></contrib-group><aff-alternatives id="aff-1"><aff xml:lang="ru"><institution>ФГБОУ ВО Московский педагогический государственный университет</institution><country>Россия</country></aff><aff xml:lang="en"><institution>Moscow Pedagogical State University</institution><country>Russian Federation</country></aff></aff-alternatives><pub-date pub-type="collection"><year>2018</year></pub-date><pub-date pub-type="epub"><day>26</day><month>04</month><year>2018</year></pub-date><volume>79</volume><issue>4</issue><fpage>48</fpage><lpage>52</lpage><permissions><copyright-statement>Copyright &amp;#x00A9; Company "Our Language", 2018</copyright-statement><copyright-year>2018</copyright-year><copyright-holder xml:lang="ru">Company "Our Language"</copyright-holder><copyright-holder xml:lang="en">Company "Our Language"</copyright-holder><license xlink:href="https://www.riash.ru/jour/about/submissions#copyrightNotice" xlink:type="simple"><license-p>https://www.riash.ru/jour/about/submissions#copyrightNotice</license-p></license></permissions><self-uri xlink:href="https://www.riash.ru/jour/article/view/789">https://www.riash.ru/jour/article/view/789</self-uri><abstract><p>В статье рассматриваются средства театрального кода, которые используются в текстах пьес А.Н. Островского, выделяются группы театральной лексики, регулярно употребляемой в произведениях драматурга, анализируется ее связь с ключевыми мотивами пьес, определяются функции средств театрального кода в произведениях А.Н. Островского (характерологическая функция, функция оценки и др).</p></abstract><trans-abstract xml:lang="en"><p>The article considers the means of the theatre code used in A.N. Ostrovskii’s plays. It is separated the groups of the theatre lexis that regularly marked in playwriter’s works, analyzed the link with the stock themes of the plays. The functions of the theatre code means in works by A.N. Ostrovskii are defined (characterological, evaluative functions and others).</p></trans-abstract><kwd-group xml:lang="ru"><kwd>драма</kwd><kwd>код культуры</kwd><kwd>театральный код</kwd><kwd>лексика</kwd><kwd>мотив</kwd><kwd>оппозиция</kwd><kwd>оценка</kwd><kwd>характерологическая функция</kwd></kwd-group><kwd-group xml:lang="en"><kwd>play</kwd><kwd>culture code</kwd><kwd>theatre code</kwd><kwd>lexis</kwd><kwd>motive</kwd><kwd>opposition</kwd><kwd>evaluation</kwd><kwd>characterological function</kwd></kwd-group></article-meta></front><back><ref-list><title>References</title><ref id="cit1"><label>1</label><citation-alternatives><mixed-citation xml:lang="ru">Барт Р. Избранные работы. Семантика. Поэтика. – М., 1989.</mixed-citation><mixed-citation xml:lang="en">Bart R. Selected texts. Semantika. Poetika, Moskva, 1989.</mixed-citation></citation-alternatives></ref><ref id="cit2"><label>2</label><citation-alternatives><mixed-citation xml:lang="ru">Ковшова М., Гудков Д. 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