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<article article-type="research-article" dtd-version="1.3" xmlns:mml="http://www.w3.org/1998/Math/MathML" xmlns:xlink="http://www.w3.org/1999/xlink" xmlns:xsi="http://www.w3.org/2001/XMLSchema-instance" xml:lang="ru"><front><journal-meta><journal-id journal-id-type="publisher-id">riash</journal-id><journal-title-group><journal-title xml:lang="ru">Русский язык в школе</journal-title><trans-title-group xml:lang="en"><trans-title>Russian language at school</trans-title></trans-title-group></journal-title-group><issn pub-type="ppub">0131-6141</issn><issn pub-type="epub">2619-0966</issn><publisher><publisher-name>Company "Our Language"</publisher-name></publisher></journal-meta><article-meta><article-id pub-id-type="doi">10.30515/0131-6141-2019-80-2-67-72</article-id><article-id custom-type="elpub" pub-id-type="custom">riash-1069</article-id><article-categories><subj-group subj-group-type="heading"><subject>Research Article</subject></subj-group><subj-group subj-group-type="section-heading" xml:lang="ru"><subject>ЗАГАДКИ ТЕКСТА</subject></subj-group><subj-group subj-group-type="section-heading" xml:lang="en"><subject>TEXT SECRETS</subject></subj-group></article-categories><title-group><article-title>Концепт «музыка» в творчестве И.Ф. Анненского</article-title><trans-title-group xml:lang="en"><trans-title>The Сoncept of «Music» in the Works by I.F. Annensky</trans-title></trans-title-group></title-group><contrib-group><contrib contrib-type="author" corresp="yes"><name-alternatives><name name-style="eastern" xml:lang="ru"><surname>Косихина</surname><given-names>С. В.</given-names></name><name name-style="western" xml:lang="en"><surname>Kosihina</surname><given-names>S. V.</given-names></name></name-alternatives><bio xml:lang="ru"><p>кандидат филологических наук, доцент кафедры русского языка и теории словесности, Переводческий факультет</p><p>ул. Остоженка, д. 38, Москва, 119034, Россия</p></bio><bio xml:lang="en"><p>38 Ostozhenka str., Moscow, 119034, Russia</p></bio><email xlink:type="simple">svkosihina@yandex.ru</email><xref ref-type="aff" rid="aff-1"/></contrib></contrib-group><aff-alternatives id="aff-1"><aff xml:lang="ru"><institution>ГБОУ ВО «Московский государственный лингвистический университет»</institution><country>Россия</country></aff><aff xml:lang="en"><institution>Moscow State Linguistic University</institution><country>Russian Federation</country></aff></aff-alternatives><pub-date pub-type="collection"><year>2019</year></pub-date><pub-date pub-type="epub"><day>18</day><month>03</month><year>2019</year></pub-date><volume>80</volume><issue>2</issue><fpage>67</fpage><lpage>72</lpage><permissions><copyright-statement>Copyright &amp;#x00A9; Company "Our Language", 2019</copyright-statement><copyright-year>2019</copyright-year><copyright-holder xml:lang="ru">Company "Our Language"</copyright-holder><copyright-holder xml:lang="en">Company "Our Language"</copyright-holder><license xlink:href="https://www.riash.ru/jour/about/submissions#copyrightNotice" xlink:type="simple"><license-p>https://www.riash.ru/jour/about/submissions#copyrightNotice</license-p></license></permissions><self-uri xlink:href="https://www.riash.ru/jour/article/view/1069">https://www.riash.ru/jour/article/view/1069</self-uri><abstract><p>В статье исследуется художественная категория «музыка» в творчестве И.Ф. Анненского. Автор рассматривает музыку в лирике поэта как концепт на основе высокой степени абстрактности данной категории, расширения ее смысла за счет этимологической памяти, сложной структуры, наличия аксиологического и гносеологического компонентов. В статье представлена структура концепта «музыка» с точки зрения распределения имен собственных.</p></abstract><trans-abstract xml:lang="en"><p>The article explores the «music» art category in the works of I.F. Annensky. The author considers music in the poet’s lyric as a concept based on a high degree of abstractness of this category, expansion of its meaning due to etymological memory, its complex structure, and the presence of axiological and epistemological components. The article presents the concept structure of music in terms of the distribution of proper names.</p></trans-abstract><kwd-group xml:lang="ru"><kwd>И.Ф. Анненский</kwd><kwd>художественная категория «музыка»</kwd><kwd>концепт</kwd><kwd>имена собственные</kwd><kwd>миф</kwd><kwd>Аполлон</kwd><kwd>Орфей</kwd></kwd-group><kwd-group xml:lang="en"><kwd>I.F. Annensky</kwd><kwd>art category «music»</kwd><kwd>concept</kwd><kwd>proper names</kwd><kwd>myth</kwd><kwd>Apollo</kwd><kwd>Orpheus</kwd></kwd-group></article-meta></front><back><ref-list><title>References</title><ref id="cit1"><label>1</label><citation-alternatives><mixed-citation xml:lang="ru">Анненский И.Ф. Книга Отражений. – М., 1979.</mixed-citation><mixed-citation xml:lang="en">Annenskij I.F. Kniga Otrazhenij [The Book of Reflection]. Moscow, 1979. (In Rus.)</mixed-citation></citation-alternatives></ref><ref id="cit2"><label>2</label><citation-alternatives><mixed-citation xml:lang="ru">Анненский И.Ф. Лаодамия // Стихотворения и трагедии. – Л., 1990.</mixed-citation><mixed-citation xml:lang="en">Annenskij I.F. Laodamija. Stihotvorenija i tragedii [Laodamia. Poems and Tragedies]. 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